'It was a huge win for Naughty Dog.'Īccording to Rafei, Rubin’s pitch at the time was, 'We’re using the same machines that were used for 'Jurassic Park'.' Rafei thought that could be interesting for video games. 'We pursued him hard, and managed to hire him into what looked like a startup,' Rubin wrote to Polygon in an email. Rafei became the first employee they hired for their company, Naughty Dog. Rafei took the jump and met Jason Rubin and Andy Gavin. One day, the recruiter told Rafei about a young studio run by two guys in Hollywood. Working with a recruiter, he began having conversations with studios such as the Sega Technical Institute, a leg of Sega’s now-closed San Francisco branch, as well as visual effects companies. 'We were doing things that were breaking the PlayStation.' In the wake of Absolute Entertainment’s closing, he continuously sent out his portfolio, looking for new work. When rumors of Sony’s PlayStation console began to emerge, Rafei says that’s when he felt things got exciting. To Rafei, compared to the formal training and work he had done with Photoshop and digital painting, the design of games on the Sega Genesis and Super Nintendo seemed almost 'primitive.' But he remained interested in the game industry as it continued to grow. 'I believe I was employee number 103,' Rafei says, 'and somewhere around employee number 107 is when started shrinking and ultimately closed down.' A classically trained artist, Rafei started his game industry career in the early '90s at Absolute Entertainment, based in New Jersey, at a short-lived gig.

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